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	<title>Lumen Travo Gallery</title>
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		<title>Yvonne Dröge Wendel: Furniture for a Think Tank</title>
		<link>http://www.lumentravo.nl/wp/?p=3117</link>
		<comments>http://www.lumentravo.nl/wp/?p=3117#comments</comments>
		<pubDate>Wed, 22 May 2013 12:32:59 +0000</pubDate>
		<dc:creator>Lauren</dc:creator>
				<category><![CDATA[Show]]></category>

		<guid isPermaLink="false">http://www.lumentravo.nl/wp/?p=3117</guid>
		<description><![CDATA[Things have been a source of inspiration for scientists, designers and artists for centuries. Where others try to find answers, Dröge Wendel is engaged in making her questions tangible as well as personal, and her intention is to allow for open-ended results. She sets up experimental encounters and questions what it is that objects can [...]]]></description>
			<content:encoded><![CDATA[<p>Things have been a source of inspiration for scientists, designers and artists for centuries. Where others try to find answers, Dröge Wendel is engaged in making her questions tangible as well as personal, and her intention is to allow for open-ended results. She sets up experimental encounters and questions what it is that objects can actually do.<br />
<br />
In her solo show at Lumen Travo gallery Yvonne Dröge Wendel presents an object with humans inside and a soft floor to walk on. Furthermore there are seventeen cardboard objects that teeter on the edge of being nothing. These objects have just enough qualities to be seen as something. They are neutral, ambiguous, or in her words: challenging constellations of restrictions.<br />
<br />
These forms are strewn about, ready to be picked up, in what seems to be a purposeful space. Within the same space there are other objects that do not want to be misunderstood and their intentions are obvious: a table, some chairs, plates, glasses, olive oil inside a bottle, oil inside a canister and oil inside of a human body.</p>
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		<title>Monali meher ~MEAT MARKETS AND SPIRIT HOUSES~</title>
		<link>http://www.lumentravo.nl/wp/?p=3094</link>
		<comments>http://www.lumentravo.nl/wp/?p=3094#comments</comments>
		<pubDate>Mon, 01 Apr 2013 19:29:53 +0000</pubDate>
		<dc:creator>Lauren</dc:creator>
				<category><![CDATA[Show]]></category>

		<guid isPermaLink="false">http://www.lumentravo.nl/wp/?p=3094</guid>
		<description><![CDATA[For her solo show, “Meat markets and Spirit houses,” Monali Meher presents a sensitive and contemplative blend of video and mixed media works. She combines experiences and emotions, old and new in order to give the viewer a sense of what it means to be familiar but at the same time distant. She renders the [...]]]></description>
			<content:encoded><![CDATA[<p>For her solo show, “Meat markets and Spirit houses,” Monali Meher presents a sensitive and contemplative blend of video and mixed media works. She combines experiences and emotions, old and new in order to give the viewer a sense of what it means to be familiar but at the same time distant. She renders the collected materials and reshapes the memory from residencies in Karachi, Pakistan and in Chiang Mai, Thailand. Throughout the collection of works, Meher observes, assimilates and reflects in order to identify with her new surroundings as an Indian artist based in Europe, yet very much present in Chiang Mai or Karachi.</p>
<p>Performative and ritualistic moments in the markets, houses, open spaces, nature and cultures become mystical encounters perceived from vivid perspective.<br />
</br><br />
More information about the show: <a href='http://www.lumentravo.nl/wp/wp-content/uploads/2013/04/Monali_Meher_exhibitionApril13.pdf'><strong>Meat markets and Spirit houses</strong></a><br />
</br><br />
More information about <a href="http://www.lumentravo.nl/wp/?p=107"><strong>Monali Meher</strong></a></p>
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		<item>
		<title>CLÁUDIA CRISTÓVÃO: LESS THAN A THOUSAND WORDS</title>
		<link>http://www.lumentravo.nl/wp/?p=3079</link>
		<comments>http://www.lumentravo.nl/wp/?p=3079#comments</comments>
		<pubDate>Wed, 20 Feb 2013 16:17:39 +0000</pubDate>
		<dc:creator>Lauren</dc:creator>
				<category><![CDATA[Show]]></category>

		<guid isPermaLink="false">http://www.lumentravo.nl/wp/?p=3079</guid>
		<description><![CDATA[Lumen Travo gallery is proud to present Cristóvão’s solo photography installation. When she was asked to examine and restore damaged photographs rescued from the 2011 tsunami in Japan, Cristóvão uncovered much more than personal leftovers. Cristóvão pieced together a new archive. She collected photographs which were officially discarded because of extensive damage, and then re-photographed [...]]]></description>
			<content:encoded><![CDATA[<p>Lumen Travo gallery is proud to present Cristóvão’s solo photography installation. When she was asked to examine and restore damaged photographs rescued from the 2011 tsunami in Japan, Cristóvão uncovered much more than personal leftovers.<br />
<br />
Cristóvão pieced together a new archive. She collected photographs which were officially discarded because of extensive damage, and then re-photographed these “trashed” photographs in order to create new images. Images contain all the ragged layers of colour, plus the sand and the sea salt that will eventually make them perish.<br />
<br />
The new images contain a physical damage parallel to that of the lives they belonged to. The memories they contained disappear or morph into other meanings.<br />
<br />
For more information about the artist please click <a href="http://www.lumentravo.nl/wp/?p=95"><strong>here</strong></a></p>
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		<item>
		<title>JENS PFEIFER: &#8220;ALL THAT GLITTERS&#8230;&#8221;</title>
		<link>http://www.lumentravo.nl/wp/?p=3054</link>
		<comments>http://www.lumentravo.nl/wp/?p=3054#comments</comments>
		<pubDate>Tue, 15 Jan 2013 13:24:49 +0000</pubDate>
		<dc:creator>Lauren</dc:creator>
				<category><![CDATA[Show]]></category>

		<guid isPermaLink="false">http://www.lumentravo.nl/wp/?p=3054</guid>
		<description><![CDATA[OPENING: 19.01.13, 17:00 &#8211; 19:00 Not everything that glitters is gold. Not everything we perceive as precious or true fulfills the promise of its appearance. In a series of work-sets, Jens Pfeifer explores the deceiving shine of objects, materials, substances and beliefs. Pfeifer refuses to take established value judgments for granted. Through the prism of [...]]]></description>
			<content:encoded><![CDATA[<p><strong>OPENING: 19.01.13, 17:00 &#8211; 19:00</strong><br />
<br />
Not everything that glitters is gold. Not everything we perceive as precious or true fulfills the promise of its appearance. In a series of work-sets, Jens Pfeifer explores the deceiving shine of objects, materials, substances and beliefs.<br />
<br />
Pfeifer refuses to take established value judgments for granted. Through the prism of his glass works he reacts to 17th century “Golden Age” still life paintings. Continuing his series of “Icon” drawings, using Redouté’s botanical drawings as reference, he tests the visual boundaries of his established body of work. Pfeifer re-frames a collection of psychoactive or hallucinatory plants. He resurrects them in a golden, glorious shine, as attractive as they are misleading.<br />
</br><br />
<a href="http://www.lumentravo.nl/wp/?p=111"><strong>MORE ABOUT JENS PFEIFER</strong></a></p>
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		<item>
		<title>Meschac Gaba: Lac de Sagesse &#8211; Wisdom Lake</title>
		<link>http://www.lumentravo.nl/wp/?p=3001</link>
		<comments>http://www.lumentravo.nl/wp/?p=3001#comments</comments>
		<pubDate>Sun, 25 Nov 2012 18:46:42 +0000</pubDate>
		<dc:creator>Lauren</dc:creator>
				<category><![CDATA[Show]]></category>

		<guid isPermaLink="false">http://www.lumentravo.nl/wp/?p=3001</guid>
		<description><![CDATA[&#8220;Lac de Sagesse &#8211; Wisdom Lake&#8221; is a work about memory, history and recognition. Gaba presents an installation of 12 aquariums, with a mirror base, in which 12 brains are placed, representing 12 great people who have made an impression on his life in a humanist, cultural, scientific, philosophical, social, religious and political way. 29th [...]]]></description>
			<content:encoded><![CDATA[<p>&#8220;Lac de Sagesse &#8211; Wisdom Lake&#8221; is a work about memory, history and recognition. Gaba presents an installation of 12 aquariums, with a mirror base, in which 12 brains are placed, representing 12 great people who have made an impression on his life in a humanist, cultural, scientific, philosophical, social, religious and political way.<br />
<strong><br />
29th November until 12th January 2012 </br><br />
<br /></br><br />
<a href="http://www.capitala.nl/"><img class="alignleft size-thumbnail wp-image-3019" title="Amsterdam Art Weekend 2012-4-2" src="http://www.lumentravo.nl/wp/wp-content/uploads/2012/11/Amsterdam-Art-Weekend-2012-4-2-150x150.jpg" alt="" width="60" height="auto" /></a><br />
<br />
This exhibition takes place within the <a href="http://www.capitala.nl/"><strong>Amsterdam Art Weekend, Capital A initiative</strong></a><br />
<br />
<a href="http://www.lumentravo.nl/wp/?p=100"><strong>More information about Meschac Gaba</strong></a></p>
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		<title>Kristiina Koskentola: ONE HUNDRED TEN THOUSAND</title>
		<link>http://www.lumentravo.nl/wp/?p=2938</link>
		<comments>http://www.lumentravo.nl/wp/?p=2938#comments</comments>
		<pubDate>Mon, 15 Oct 2012 09:24:56 +0000</pubDate>
		<dc:creator>Lauren</dc:creator>
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		<guid isPermaLink="false">http://www.lumentravo.nl/wp/?p=2938</guid>
		<description><![CDATA[For her first solo show in Lumen Travo Kristiina Koskentola presents a multisensory mixed media installation, ONE HUNDRED TEN THOUSAND (2011 &#8211; 2012). Her works relate to graveyards in marginalized spaces of globalization in demolished or due for demolition suburban villages of Beijing. The installation embodies the complexity and dynamic conditions and situations of past, [...]]]></description>
			<content:encoded><![CDATA[<p>For her first solo show in Lumen Travo Kristiina Koskentola presents a multisensory mixed media installation, ONE HUNDRED TEN THOUSAND (2011 &#8211; 2012). Her works relate to graveyards in marginalized spaces of globalization in demolished or due for demolition suburban villages of Beijing. The installation embodies the complexity and dynamic conditions and situations of past, present, future and beyond, as well as the metaphorical possibilities of rituals, phenomena and beliefs related to burials and cremations in contemporary China.<br />
Their (im)materiality as transformative potentials and as alternative rituals in order to produce new frames of reference.<br />
</br><br />
More information about this exhibition<strong> <a href='http://www.lumentravo.nl/wp/wp-content/uploads/2012/10/kristiina_PRlayoutFINAL-2.pdf'>DOWNLOAD HERE</a></strong><br />
</br><br />
<strong><a href="http://www.lumentravo.nl/wp/?p=2361">More information and works by<br />
Kristiina Koskentola</a></strong></p>
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		<item>
		<title>FRANK BRAGIGAND: IT&#8217;s time for politic</title>
		<link>http://www.lumentravo.nl/wp/?p=2866</link>
		<comments>http://www.lumentravo.nl/wp/?p=2866#comments</comments>
		<pubDate>Thu, 09 Aug 2012 10:32:45 +0000</pubDate>
		<dc:creator>Lauren</dc:creator>
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		<guid isPermaLink="false">http://www.lumentravo.nl/wp/?p=2866</guid>
		<description><![CDATA[&#8220;It’s time for politic&#8221; was George W. Bush&#8217;s reply during an awkward moment during a press conference in 2006. &#8220;We will all go to this new world order, with or without your approval&#8221; said Sarkozy without the permission of the French people. &#8220;Fascism starts with corporations&#8221;, Mussolini once said. Artist Franck Bragigand tackles superficial political [...]]]></description>
			<content:encoded><![CDATA[<p><strong> &#8220;It’s time for politic&#8221;</strong> was George W. Bush&#8217;s reply during an awkward moment during a press conference in 2006.</p>
<p><strong> &#8220;We will all go to this new world order, with or without your approval&#8221;</strong> said Sarkozy without the permission of the French people.</p>
<p><strong> &#8220;Fascism starts with corporations&#8221;</strong>, Mussolini once said.<br />
</br><br />
Artist Franck Bragigand tackles superficial political statements, excuses and rhetoric. From the 8th of September until the 13th of October 2012, Bragigand transforms Lumen Travo gallery into a dark and apocalyptic collection of crafted objects and subversion.</p>
<p><a href="http://www.lumentravo.nl/wp/wp-content/uploads/2012/08/PR-new.pdf"><strong>FULL PRESS RELEASE</strong></a></p>
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		<item>
		<title>MARCH &#8211; APRIL 2013</title>
		<link>http://www.lumentravo.nl/wp/?p=2852</link>
		<comments>http://www.lumentravo.nl/wp/?p=2852#comments</comments>
		<pubDate>Tue, 03 Jul 2012 15:39:01 +0000</pubDate>
		<dc:creator>Lauren</dc:creator>
				<category><![CDATA[News]]></category>

		<guid isPermaLink="false">http://www.lumentravo.nl/wp/?p=2852</guid>
		<description><![CDATA[ZARINA BHIMJI 05.02.12 &#8211; 31.03.12 Film: Waiting (2007) De Appel, Amsterdam &#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230; ANDREA BLUM 29.09.12 &#8211; 07.04.13 &#8220;SOCIAL STUDIES&#8221; La Conservera Centro de Arte Contemperaneo Murcia, Spain &#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230; KATHE BURKHART 10.05.13 – 21.06.13 Nudes Solo show curated by Cay Sophie Rabinowitz Osmos Address Gallery, New York 13.06.13 – 20.07.13 &#8216;The Cat Show&#8217;, White Columns, NYC. [...]]]></description>
			<content:encoded><![CDATA[<p>ZARINA BHIMJI</p>
<p>05.02.12 &#8211; 31.03.12<br />
Film: Waiting (2007)<br />
De Appel, Amsterdam<br />
&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;</p>
<p>ANDREA BLUM</p>
<p>29.09.12 &#8211; 07.04.13<br />
&#8220;SOCIAL STUDIES&#8221;<br />
La Conservera<br />
Centro de Arte Contemperaneo<br />
Murcia, Spain<br />
&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;</p>
<p>KATHE BURKHART</p>
<p>10.05.13 – 21.06.13<br />
Nudes<br />
Solo show curated by Cay Sophie Rabinowitz<br />
Osmos Address Gallery, New York</p>
<p>13.06.13 – 20.07.13<br />
&#8216;The Cat Show&#8217;, White Columns, NYC.<br />
Featuring &#8216;The Cats-in-Residence Program&#8217;<br />
June 14/15/16 and July 19/20.</p>
<p>14.02.13 – 26.05.13<br />
NYC 1993<br />
Experimental Jet Set, Trash &#038; No Star<br />
The New Museum, New York<br />
&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;</p>
<p>CLAUDIA CRISTOVãO</p>
<p>13.12.12 &#8211; 14.04.13<br />
Imagined Places (Group show)<br />
Tropenmuseum, Amsterdam<br />
&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;</p>
<p>OTOBONG NKANGA</p>
<p>Opening 13.03.13 &#8211; 13.05.13<br />
Sharjah Biennial</p>
<p>OTOBONG NKANGA &#038;<br />
YVONNE DROGE WENDEL</p>
<p>15.03.13 until 01.09.13<br />
‘Yes Naturally, how art will save the world’.<br />
The GEM, Museum of Contemporary Art<br />
and the Niet Normaal Foundation<br />
The Hague<br />
&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;</p>
<p>MONALI MEHER</p>
<p>08.06.13 – 18.08.13<br />
icastica<br />
1st Arezzo Art Biennial, 2013 project: glocal women<br />
Arezzo, Italy<br />
&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;</p>
<p>STEPHEN WILLATS</p>
<p>27.04.13 – 16.06. 13<br />
Conscious Unconscious<br />
In and Out the Reality Check<br />
Modern Art Oxford</p>
<p>From 05.04.13<br />
Vertical Club<br />
Group exhibition curated by Will Benedict ,<br />
Bortolami Gallery , New York<br />
27.04.13 – 30.06.13<br />
On the Move<br />
European Kunsthaus Bregenz, Austria </p>
<p>27.03.13- 18.05.13<br />
Keywords<br />
Group Exhibition curated by Grant Watson<br />
and Gavin Delahunty <br />
Iniva  Rivington Place, London</p>
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		<item>
		<title>OTOBONG NKANGA: However long the night, the dawn will break</title>
		<link>http://www.lumentravo.nl/wp/?p=2785</link>
		<comments>http://www.lumentravo.nl/wp/?p=2785#comments</comments>
		<pubDate>Sun, 29 Apr 2012 20:22:01 +0000</pubDate>
		<dc:creator>Lauren</dc:creator>
				<category><![CDATA[Show]]></category>

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		<description><![CDATA[For her solo show at Lumen Travo gallery, Otobong Nkanga proposes a body of works linked with research and various projects done in 2011 and 2012. In 2011 Nkanga started exploring ways of working with woven textile in combination with the techniques of drawing and photography. &#8220;However long the night, the dawn will break&#8221; summarizes [...]]]></description>
			<content:encoded><![CDATA[<p>For her solo show at Lumen Travo gallery, Otobong Nkanga proposes a body of works linked with research and various projects done in 2011 and 2012.<br />
</br><br />
In 2011 Nkanga started exploring ways of working with woven textile in combination with the techniques of drawing and photography.<br />
</br><br />
&#8220;However long the night, the dawn will break&#8221; summarizes the state of creation, being in a space of struggles: at some point things start to make sense and finally one day everything falls in place, maybe not as you had planned it but obviously as it is supposed to be.<br />
</br><br />
 Nkanga uses various media such as drawing, sculptures, installations, performances and photography to process her research material and to combine this with autobiographical references in order to create a collage of fragmented narratives.</p>
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		<item>
		<title>Stephen Willats: How the future looks from here</title>
		<link>http://www.lumentravo.nl/wp/?p=2776</link>
		<comments>http://www.lumentravo.nl/wp/?p=2776#comments</comments>
		<pubDate>Fri, 23 Mar 2012 13:34:28 +0000</pubDate>
		<dc:creator>Lauren</dc:creator>
				<category><![CDATA[Show]]></category>

		<guid isPermaLink="false">http://www.lumentravo.nl/wp/?p=2776</guid>
		<description><![CDATA[Since the early 1960’s, the artist, Stephen Willats (UK), has been leading a critical examination of environments shaped by contemporary life and has initiated the representation of a social agenda in art practice. Willats is one of the forerunners of conceptual art in Europe, embracing cybernetics, computer technology, semiotics and behavioural and social psychology in [...]]]></description>
			<content:encoded><![CDATA[<p>
Since the early 1960’s, the artist, Stephen Willats (UK), has been leading a critical examination of environments shaped by contemporary life and has initiated the representation of a social agenda in art practice.  Willats is one of the forerunners of conceptual art in Europe, embracing cybernetics, computer technology, semiotics and behavioural and social psychology in the furtherance of the element of interactivity which continues to be one of the key drivers in his work.  This has inspired Willats to take his art practice directly into a range of environments that represent universally familiar contemporary cultural icons such as the housing estate or the urban shopping street.<br />
</br><br />
<em>How the Future Looks From Here</em>, was made with a young couple living in Brooklyn, New York, and articulates their insights into the conflicts between the intentions of new technologies and media in society, and the actual affects of people’s personal relations.  The work is located and referenced to the couple’s home and expresses their questions about the world outside.</p>
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